Jeremy Camp discography and songs: Music profile for Jeremy Camp, born 12 January 1978. Genres: Christian Rock, Praise & Worship, Pop Rock. Albums include Restored, Behind the Musik (A Boy Named Jonah), and Bridge to Terabithia.
- The discography of Christian recording artist Jeremy Camp consists of eleven studio albums, one extended plays (EPs), 33 other appearances, and 33 singles. Discography edit Listen to music from Jeremy Camp. Find the latest tracks, albums, and images from Jeremy Camp. Jeremy Camp albums; Jeremy Camp songs: Discography. Jeremy Camp Albums.
- Official Website of Jeremy Camp. Jeremy Camp's 9 albums have garnered 5 RIAA Gold and 1 RIAA Platinum awards, sold over 4.5 million, Billboard #2 artist of the decade, a GRAMMY® nomination, 3 American Music Award nominations, 5 Dove Awards, 4 ASCAP 'Songwriter of the Year' Awards and a total of 37 No. 1 radio hits across all formats.
- Jeremy Camp, a multi-award winning Christian vocalist and guitarist, was born on January 12, 1978 in Lafayette, Indiana. His thoughtful lyrics and booming voice have earned him legions of fans and accolades including 16 No. 1 songs, five Dove Awards, three ASCAP Songwriter of the Year wins and an American Music Award nomination.
Birth name | Adrienne Liesching |
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Also known as | Adie |
Born | 12 July 1981 (age 39) Port Elizabeth, South Africa |
Genres | Contemporary Christian, pop, pop-rock |
Years active | 2001–present |
Labels | BEC Recordings |
Associated acts | The Benjamin Gate |
Website | www.myspace.com/adiecamp/ |
Adrienne 'Adie' Camp (née Liesching; born 12 July 1981) is a South African singer and songwriter, who is known as the lead singer of the Christianpop-rock band the Benjamin Gate before the group disbanded in 2003. She briefly contributed to other artist's albums, namely her duet with rapper John Reuben featured on his album Professional Rapper and her background vocals on husband Jeremy Camp's albums Restored and Live Unplugged, after the Benjamin Gate disbanded.
She now works under the name 'Adie' and released her debut solo album Don't Wait on 26 September 2006. The album was co-produced by her husband Jeremy Camp. Her song 'Your Way' climbed into the Top 15 on R&R Magazine's Christian chart in May 2007.[1] Her second release, titled Just You and Me, was released in March 2010.
Personal life[edit]
In December 2003, Liesching married Jeremy Camp. The couple met on a three-month-long tour in 2002.[2] They have two daughters and one son: Isabella 'Bella' Rose Camp (born 25 September 2004), Arianne 'Arie' Mae Camp (born 5 April 2006),[3] and Egan Thomas Camp (born 17 August 2011).
Voice[edit]
Todd Hertz of Christianity Today described Camp's voice as 'lovely and ferocious,' a 'strange combination of Bjork's quavering and the power of Shirley Manson.'[4] A reviewer writing for the Daily Herald of Arlington Heights, Illinois described Camp's voice as evocative of Gwen Stefani, Aimee Echo, Christina Aguilera, and Shakira, all the while 'remaining very unique and distinctive.'[5]
Discography[edit]
Jeremy Camp Albums
The Benjamin Gate
- Spinning Head EP
- Comeputyourheadupinmyheart
- Demographics
- Untitled
- Contact
Solo
- Don't Wait (26 September 2006)
- Just You and Me (9 March 2010)
Melissa Camp
References[edit]
- ^As played on the Weekend 22 countdown [1] on 24 May 2007, Retrieved 1 June 2007
- ^Adie Camp 'Once Upon a Time' Real Life Love StoryArchived 3 March 2016 at the Wayback Machine, InTheTimes.com, retrieved 2 February 2009
- ^'Jeremy Camp: Author of I Still Believe'. Christian Book Previews. Retrieved 21 January 2012.
- ^Hertz, Todd (12 November 2001). 'Power Punch Praise'. Christianity Today. Retrieved 23 June 2012.
- ^Thorne, Evan (22 November 2002). 'Benjamin Gate make catchy, fun pop on 'Contact''. Daily Herald. Retrieved 23 June 2012.
External links[edit]
Not many artists can stay in the industry long enough to release ten studio albums over the span of their career, but, impressively, Jeremy Camp is here with his tenth record, The Story’s Not Over. Not surprisingly, Camp’s sound has undergone adjustments with each release, to stay up to date with the current trends in the genre. This trend continues here, too, as the electronic elements take even more center stage than on The Answer. The end product is a cohesive pop album that showcases his powerful vocals, but unfortunately doesn't bring anything new to the table.
The opening tune, “Only You Can,” has Camp fully embracing the pop/dance direction he introduced in his last release, and it sets the overall tone for the record. Things peak with the previously released singles, “Still Alive” and “Dead Man Walking.” The latter is a declaration of the dramatic change God has made in his life, and ends up being a highlight: “I was a dead man walking, until I was a man walking with You / I was a blind man falling, until I found the life you’re calling me to.” The touching “Father” slows things down, as he passionately sings, “I was born to need You / To wipe the tears I cry / Yes, You made me a child / So You could be my Father.” A standout towards the back end of the album is “Indestructible Soul,” which once again displays his impressive vocal range and capabilities.
Disappointingly, more than half of the record is relatively forgettable, due to the overuse of cookie cutter elements. Songs like “Should’ve Been Me,” “Keep Me In The Moment,” and the title track follow the same generic formula, and don’t stand out at all. From a lyrical perspective, Camp fares a little better than most pop artists, but even then, nothing on this release quite measures up to some of his earlier work. Most of the tracks featured here sound like they have been heard before, both from a musical and lyrical standpoint. The lack of diversity hurts the overall value this record could have, and, unfortunately, the rare moments we see something different (like the hip-hop influenced “You Don’t,” featuring Social Club Misfits) end up falling flat.
Jeremy Camp Cd List
Despite these imperfections, fans of Camp’s music will find a lot to like about his newest endeavour. His message is consistent, and newer fans especially will enjoy the modern direction he’s been taking musically. There are some decent cuts on this record, such as the aforementioned “Dead Man Walking,” and it’s likely that he will see great success with this project. That being said, it is disappointing to see an artist like Camp, who has a lot of potential, to consistently conform to the cliches of the genre, instead of creating something that could stand out (a task he could easily accomplish). Generally speaking, The Story’s Not Over will satisfy current fans of his work, but sadly, it falls short of what it could have been.